Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that individuals actually enjoy using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I select inks, pretreatments, and fabrics for custom-made garments jobs. For many years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce lovely results and real comfort, particularly for T shirt printing that needs to stand up to daily wear.
If you run a brand, handle bulk t shirt orders, or simply want your customized shirts to feel like a preferred from the very first wash, it deserves understanding how these ink systems work, where they shine, and where they require care. The ideal choice can make the difference between a t-shirt that gets worn when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and remedies into a movie, water based inks take in into the fibers. That single particular describes most of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently equivalent from the shirt itself. For custom t shirts developed for convenience, this is the path to the "retail feel" customers ask for.
There are two primary households: basic water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the best base, once you move into darker materials, you either need a heavier print or you switch to release. Release printing utilizes an activator that lifts the color from the fabric during curing, basically bleaching the t-shirt's color in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, often with exceptional detail.

Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks usually include less unpredictable organic substances than solvent-heavy alternatives and prevent PVC entirely. Lots of are compliant with strict standards like Oeko-Tex or fulfill retail testing routines that prohibit specific phthalates and heavy metals. If you sell custom garments into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system idea. Ink is one part. You also require to look at store practices: purification on your washout cubicle, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge requires an activator, generally based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation needs. In a well-run shop, direct exposure is managed and waste is captured. If you're using print on demand with a partner, ask how they manage discharge effluent and whether they have air exchange and treating controls called in. Real sustainability hides in the details.
Most individuals do not buy a graphic tee since they enjoy the ink. They buy it because the garment looks great, feels good, and keeps that character after duplicated washing. Water based inks, consisting of discharge, offer you that broken-in comfort from the first day. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you in some cases get from heavy plastisol when you stretch across the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under harsh light, which some streetwear clients choose, however the wearer feedback corresponds: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own dye. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different color lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, but you're still working with a background that is moving as the color is removed.
That's not a flaw, it's part of the medium. Lots of designers accept the a little vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color recreation for business logos, either order test prints on the precise batch you plan to utilize or think about a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your patches and emblems process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only raises the cotton portion. That indicates your color fills the cotton while the polyester and rayon remain as-is, typically small batch apparel printing yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, vibrant color on a poly mix, standard plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on finished tees introduces joints, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on finished garments, expect small spaces along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry much faster in the screen, which works on material but can lock a mesh if you pause too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a consistent variety, roughly 45 to 55 percent, to avoid early drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and constant rate, decrease clogging.
Curing is where numerous novices fizzle. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with sufficient airflow makes the distinction. You desire even heat throughout the belt and adequate dwell to reach the maker's treatment temperature throughout the ink layer, not simply at the surface. T-shirts leaving the tunnel should be dry to the touch with no cool spots. For discharge, the chain reaction happens during this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and breaking. Water based prints show steady softening and a gentle fade in the same method denim relaxes. Plastisol's failure mode is different, normally breaking if the ink layer is too thick or under-cured. For personalized shirts that require to look good at a household reunion and still be in rotation next summertime, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is frequently similar to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup since you pay closer attention to mesh, squeegee durometer, and off-contact. Once tuned, cars perform at comparable speeds. Where it really settles is in perceived worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art suits the medium, discharge on 100 percent cotton is a workhorse. For print as needed that requires over night turnaround and art changes continuously, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel compromises. When you take on wholesale t shirts with several colorways and must keep inventory versatile, a flexible water based scheme on light garments is effective, since you avoid the weight and stiffness that build up with multiple underbases in plastisol.
Design planning begins with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you need razor unfavorable space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment instead of trusting a digital mockup. A mockup can not record fiber interplay and dye lift.

There are times I advise against discharge. Polyester-rich garments are top of the list. The activator can cause color migration, particularly with sublimated or cationic-dyed performance shirts, causing ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to minor odor throughout treating, discharge days in the store are obvious. Well-managed airflow alleviates this, however it belongs to the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you DTF vs DTG might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, established a workflow that gets rid of guesswork. A basic approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print as needed has its own constraints: quick art modifications, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you organize catalog technique. For styles that are high volume even at small daily quantities, pre-burning screens and keeping a little stock of popular sizes lets you deliver exact same day with water based prints that feel much better than numerous DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Customers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I describe what they are buying. They get the soft hand that retail consumers correspond with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a basic three-color front hit might be modest, frequently a small uplift that can be neutralized by choosing a slightly more affordable blank. If the program is for wholesale t t-shirts going into shops or e-commerce at superior rate points, the enhancement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, choices matter. Offer a base rate with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for expense, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it easy and realistic so the shirt makes it through real life. Water based and discharge prints prefer Custom apparel printing cooler washes and lower clothes dryer heat, however they will sustain typical laundering if appropriately treated. I recommend phrasing care suggestions in human terms on product pages: wash cold with similar colors, topple dry low, prevent material softeners if you desire colors to stay crisp. The last note matters since some conditioners can deposit films on fibers, dulling the visual contrast of great lines.

I have actually evaluated these directions in-house: 2 similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high CMYK screen printing tee revealed a little quicker fading of mid-tones, yet still looked great. That tolerance originates from right cure, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting seams, style for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brands that offer restricted runs can validate cut-and-sew for 100 to 300 pieces if the design requires it. The completed garments read as customized from a range, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that felt like it lived in the fabric. We tested on three blacks from two mills. Batch one raised easily with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by adding a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temperature for the right period. Utilize a donut probe or an ingrained thermochromic strip to measure real ink film temperature, not simply dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood between prints, and control shop humidity.
A 3rd pitfall is neglecting fabric variability. If you switch blanks mid-run since a size is out of stock, you may see shifts in color. Develop contingency into your buying. For brands planning ahead, selecting a standard blank and locking it with your supplier lowers surprises.
If your priority is soft, breathable custom-made clothing that consumers keep wearing, water based inks deserve the knowing curve. Use basic water based upon light garments for tidy detail and matte color. Move to release on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and plan for slight color variance with discharge, specifically across color lots. For bulk t shirt orders, integrate in a single round of physical tasting on the actual blanks you will utilize, then document your settings and keep back a referral t-shirt for quality control.
If you operate a print as needed catalog, take a water based pill of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a consumer rubs their thumb throughout a print and feels nothing however fiber, you have actually won. That's the moment water based and discharge provide, and why they deserve a place in any serious shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515