Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see 2 things in consistent tension: the push for softer, more breathable prints that individuals really delight in wearing, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has formed how I pick inks, pretreatments, and materials for custom-made apparel jobs. For many years, I've learned that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce lovely results and real convenience, specifically for T shirt printing that requires to withstand daily wear.
If you run a brand, manage bulk t t-shirt orders, or simply desire your customized shirts to seem like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The best choice can make the distinction in between a shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks soak up into the fibers. That single characteristic discusses most of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently indistinguishable from the t-shirt itself. For custom t shirts designed for convenience, this is the course to the "retail feel" clients ask for.
There are two main families: basic water based and discharge. Basic water based ink works best on white or extremely light shirts. It can cover mid-tones with the right base, once you move into darker fabrics, you either require a much heavier print or you switch to discharge. Discharge printing utilizes an activator that lifts the color from the material during curing, essentially whitening the shirt's dye in the printed areas, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, typically with outstanding detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks generally include less unstable natural compounds than solvent-heavy alternatives and prevent PVC entirely. Many are certified with rigorous requirements like Oeko-Tex or satisfy retail testing routines that ban specific phthalates and heavy metals. If you offer customized apparel into corporate wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also require to take a look at shop practices: filtration on your washout cubicle, recover chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge requires an activator, usually based on zinc formaldehyde sulfoxylate or similar compounds, which has its own handling and ventilation needs. In a well-run shop, direct exposure is controlled and waste is captured. If you're utilizing print as needed with a partner, ask how they manage discharge effluent and whether they have air exchange and curing controls dialed in. Genuine sustainability conceals in the details.
Most people do not purchase a graphic tee due to the fact that they like the ink. They purchase it because the garment looks excellent, feels excellent, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, provide you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch across the chest.
I keep a shelf of comparison t-shirts in the studio. One from a browse brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the same art looks glossier and still pops more under harsh light, which some streetwear customers choose, however the wearer feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the very same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the final color, however you're still working with a background that is moving as the color is removed.
That's not a flaw, it's part of the medium. Many designers embrace the a little vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name demands laser-precise color reproduction for corporate logo designs, either order test prints on the specific batch you plan to use or consider a water based underbase or hybrid technique where needed. For wholesale t shirts that will be dispersed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends complicate things. A best fabrics for DTG printing 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge only lifts the cotton part. That implies your color fills the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks intentional if you style for it. If your objective is flat, vivid color on a poly blend, standard plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you should print on ended up garments, expect little voids along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry faster in the screen, which works on fabric but can lock a mesh if you pause too long. Running a higher mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting option at hand, and keep the print room humidity in a constant range, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will observe how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant rate, reduce clogging.
Curing is where many newbies miss the mark. Water based inks need both heat and time for walk-in embroidery the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the difference. You want even heat across the belt and enough dwell to reach the producer's cure temperature throughout the ink layer, not simply at the surface. T-shirts exiting the tunnel must be dry to the touch without any cool areas. For discharge, the chemical reaction occurs during this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate remedy and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I measure sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and cracking. Water based prints reveal progressive softening and a mild fade in the same method jeans relaxes. Plastisol's failure mode is various, typically breaking if the ink layer is too thick or under-cured. For tailored shirts that need to look good at a family reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is typically comparable to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be a little slower at setup because you pay closer attention to fit together, squeegee durometer, and off-contact. Once tuned, cars perform at similar speeds. Where it truly settles is in perceived worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art fits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turnaround and art modifications constantly, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t t-shirts with multiple colorways and must keep inventory flexible, a flexible water based palette on light garments is effective, because you prevent the weight and tightness that collect with multiple underbases in plastisol.
Design preparation begins with the material color and ends with curing. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color peeks through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Extremely thin knockouts inside heavy flood locations can fill in with discharge, especially on high-absorbency cotton. If you require razor unfavorable space, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I recommend against discharge. Polyester-rich garments are top of the list. The activator can cause color migration, especially with sublimated or cationic-dyed efficiency shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to small smell throughout curing, discharge days in the shop are visible. Well-managed air flow reduces this, however it becomes part of the process.
If a client requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, however the particles frequently sink, and the impact is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or depend on a partner, set up a workflow that removes guesswork. A basic approach keeps surprises at bay and assists you struck due dates for launches and events.
Print as needed has its own restraints: quick art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has become the default, however water based screen printing can fit POD if you organize brochure strategy. For styles that are high volume even at small daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel better than numerous DTG outputs. It works finest when you keep art to a couple of colors and select light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Clients who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a fundamental plastisol job, I discuss what they are buying. They get the soft hand that retail consumers correspond with quality, enhanced breathability, and compliance for sensitive buyers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, frequently a small uplift that can be reduced the effects of by picking a somewhat more cost-effective blank. If the program is for wholesale t shirts going into boutiques or e-commerce at premium cost points, the improvement in perceived worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, choices matter. Deal a base rate with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels typically read like legal disclaimers. Keep it simple and reasonable so the t-shirt survives reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, however they will endure typical laundering if properly cured. I recommend phrasing care suggestions in human terms on product pages: wash cold with similar colors, topple dry low, prevent fabric softeners if you want colors to remain crisp. The last note matters since some softeners can deposit movies on fibers, dulling the visual contrast of great lines.
I have actually checked these directions in-house: two identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little quicker fading of mid-tones, yet still looked excellent. That tolerance comes from right treatment, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Instead of fighting joints, design for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brands that offer limited runs can validate cut-and-sew for 100 to 300 pieces if the design requires it. The ended up garments check out as custom-made from a range, which is the goal.
One spring we ran a series for a local music festival. The customer desired soft black tees with a sunburst print that felt like it resided in the fabric. We tested on 3 blacks from 2 mills. Batch one lifted easily with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The outcome: constant tees throughout 2,400 systems, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a blackboard. The dish matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the required temperature for the best duration. Use a donut probe or an embedded thermochromic strip to measure true ink movie temperature level, not simply clothes dryer setpoints. Screen lockup is the second. Keep a constant rate on press, flood between prints, and control store humidity.
A third pitfall is disregarding material variability. If you switch blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Build contingency into your acquiring. For brands preparing ahead, picking a standard blank and locking it with your supplier decreases surprises.
If your concern is soft, breathable customized apparel that consumers keep using, water based inks deserve the knowing curve. Use standard water based on light garments for tidy information and matte color. Transfer to release on 100 percent cotton when you want the softest prints on dark t-shirts. Accept and plan for minor color variance with discharge, specifically throughout dye lots. For bulk t t-shirt orders, integrate in a single round of physical sampling on the actual blanks you will use, then document your settings and hold back a referral t-shirt for quality control.
If you run a print on demand brochure, carve out a water based capsule of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are evaluated in the hands, not simply on screens. When a customer rubs their thumb throughout a print and feels absolutely nothing but fiber, you've won. That's the moment water based and discharge deliver, and why they are worthy of a location in any severe shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515