Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in continuous stress: the push for softer, more breathable prints that people actually enjoy using, and the need to produce at scale without compromising the environment or the bottom line. That stress has actually shaped how I select inks, pretreatments, and fabrics for custom apparel projects. For many years, I've found out that water based inks and discharge printing are not simply buzzwords, they are practical tools that produce beautiful results and real comfort, particularly for T t-shirt printing that needs to withstand everyday wear.
If you run a brand name, manage bulk t t-shirt orders, or simply desire your individualized t-shirts to seem like a favorite from the first wash, it deserves comprehending how these ink systems work, where they shine, and where they need care. The best option can make the distinction between a t-shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a movie, water based inks soak up into the fibers. That single particular explains the majority of the benefits and compromises. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For customized t shirts created for comfort, this is the path to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Standard water based ink works best on white or very light t-shirts. It can cover mid-tones with the best base, once you move into darker materials, you either need a heavier print or you switch to release. Release printing uses an activator that raises the dye from the material throughout treating, basically bleaching the shirt's dye in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally include less unstable natural compounds than solvent-heavy alternatives and prevent PVC altogether. Many are compliant with rigorous requirements like Oeko-Tex or satisfy retail screening routines that prohibit specific phthalates and heavy metals. If you sell custom-made apparel into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise need to look at store practices: filtration on your washout booth, reclaim chemistry, energy usage on your dryer, and even fabric sourcing. Discharge needs an activator, generally based upon zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is caught. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee due to the fact that they love the ink. They purchase it because the garment looks great, feels excellent, and keeps that character after duplicated cleaning. Water based inks, consisting of discharge, offer you that broken-in convenience from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes get from heavy plastisol when you stretch throughout the chest.
I keep a shelf of contrast shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear customers prefer, but the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Various dye lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, but you're still working with a background that is moving as the dye is removed.
That's not a defect, it's part of the medium. Many designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name demands laser-precise color recreation for business logo designs, either order test prints on the exact batch you plan to use or consider a water based underbase or hybrid approach where needed. For wholesale t t-shirts that will be distributed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a partnership between ink and fiber. Ringspun cotton takes ink magnificently. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton part. That implies your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vivid color on a poly blend, traditional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and irregular pressure that appear as blank micro-gaps. If you should print on completed garments, anticipate little spaces along seams, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which is useful on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a constant variety, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant rate, lower clogging.
Curing is where numerous newbies fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the distinction. You desire even heat across the belt and adequate dwell to reach the maker's treatment temperature throughout the ink layer, not simply at the surface. T-shirts exiting the tunnel should be dry to the touch with no cool areas. For discharge, the chain reaction occurs during this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlive the shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and splitting. Water based prints reveal gradual softening and a mild fade in the same way jeans relaxes. Plastisol's failure mode is different, normally cracking if the ink layer is too thick or under-cured. For customized shirts that need to look good at a household reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is often equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be somewhat slower at setup due to the fact that you pay closer attention to fit together, squeegee durometer, and off-contact. When tuned, cars run at comparable speeds. Where it really pays off remains in perceived value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brand names can price accordingly.
For bulk t t-shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs over night turn-around and art modifications constantly, direct-to-garment or DTF might be better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t t-shirts with numerous colorways and must keep inventory versatile, a versatile water based combination on light garments is efficient, considering that you prevent the weight and tightness that collect with numerous underbases in plastisol.
Design planning begins with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Standard water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can complete with discharge, specifically on high-absorbency cotton. If you require razor unfavorable area, separate the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not catch fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, particularly with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small smell throughout treating, discharge days in the shop are noticeable. Well-managed air flow reduces this, however it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles frequently sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that eliminates guesswork. An easy method keeps surprises at bay and assists you struck deadlines for launches and events.
Print on demand has its own restrictions: quick art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange catalog method. For designs that are high volume even at little daily quantities, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD design counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton convenience and breathability are the selling points. Consumers who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol job, I explain what they are purchasing. They get the soft hand that retail clients relate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, typically a little uplift that can be neutralized by picking a slightly more cost-effective blank. If the program is for wholesale t shirts entering into shops or e-commerce at superior cost points, the enhancement in viewed worth more than covers the change.
For customized shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers optimize for cost, others for feel. Meeting both lets you serve a broader market without diluting your craft.
Care labels often read like legal disclaimers. Keep it simple and reasonable so the shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain typical laundering if appropriately treated. I recommend phrasing care ideas in human terms on product pages: wash cold with similar colors, topple dry low, avoid fabric conditioners if you desire colors to remain crisp. The last note matters because some softeners can deposit films on fibers, dulling the visual contrast of fine lines.
I've tested these instructions in-house: 2 similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little much faster fading of mid-tones, yet still looked great. That tolerance originates from correct treatment, not from babying the garment.
All over print captures attention, however printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell limited runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The completed garments read as customized from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The client wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on 3 blacks from 2 mills. Batch one raised cleanly with discharge, batch two remained stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The outcome: constant tees across 2,400 units, each with a soft, breathable print that offered out by day two.
That task taught the crew to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the best period. Utilize a donut probe or an ingrained thermochromic strip to determine true ink movie temperature level, not simply dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood in between prints, and control store humidity.
A third risk is ignoring fabric variability. If you change blanks mid-run due to the fact that a size runs out stock, you may see shifts in color. Build contingency into your purchasing. For brand names preparing ahead, choosing a standard blank and locking it with your provider lowers surprises.
If your top priority is soft, breathable customized garments that consumers keep using, water based inks deserve the knowing curve. Usage basic water based on light garments for clean detail and matte color. Relocate to release on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and plan for small color difference with discharge, particularly throughout color lots. For bulk t shirt orders, build in a single round of physical sampling on the actual blanks you will utilize, then record your settings and keep back a referral shirt for quality control.
If you operate a print on demand brochure, carve out a water based capsule of best sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or T shirt printing Jacksonville hybrid systems where they belong.
Custom t shirts are judged in the hands, not simply on screens. When a client rubs their thumb across a print and feels nothing however fiber, you've won. That's the moment water based and discharge provide, and why they are worthy of a place in any major shop or brand's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515