Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant stress: the push for softer, more breathable prints that individuals in fact take pleasure in using, and the need to produce at scale without jeopardizing the environment or the bottom line. That tension has shaped how I select inks, pretreatments, and fabrics for custom clothing projects. For many years, I have actually discovered that water based inks and discharge printing are not just buzzwords, they are useful tools that produce gorgeous outcomes and genuine comfort, specifically for T shirt printing that needs to stand up to day-to-day wear.
If you run a brand, handle bulk t shirt orders, or just want your individualized shirts to seem like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal option can make the difference in between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a film, water based inks absorb into the fibers. That single particular discusses the majority of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of cured PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically indistinguishable from the shirt itself. For customized t t-shirts designed for convenience, this is the path to the "retail feel" clients ask for.
There are 2 primary households: standard water based and discharge. Standard water based ink works best on white or really light shirts. It can cover mid-tones with the ideal base, but once you move into darker fabrics, you either need a much heavier print or you change to discharge. Release printing uses an activator that lifts the dye from the fabric throughout treating, basically bleaching the shirt's color in the printed areas, then replaces it with your pigment. The end result is the softest possible print on dark cotton, typically with exceptional detail.
Eco friendly inks are not a marketing slogan if you unload the chemistry and the workflow. Water based inks typically consist of fewer unpredictable organic compounds than solvent-heavy options and prevent PVC altogether. Many are compliant with stringent standards like Oeko-Tex or meet retail testing programs that prohibit certain phthalates and heavy metals. If you sell customized clothing into corporate wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You likewise need to take a look at store practices: filtration on your washout cubicle, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge vector vs raster for DTG needs an activator, generally based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is captured. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Real sustainability conceals in the details.
Most people do not purchase a graphic tee since full-color photo printing on fabric they like the ink. They purchase it because the garment looks great, feels great, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, offer you that broken-in convenience from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you sometimes receive from heavy plastisol when you extend throughout the chest.
I keep a shelf of comparison shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed somewhat, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under extreme light, which some streetwear customers choose, but the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks refers control, humidity, and the fabric's own color. On white or heather light shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different dye lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch may lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the final color, however you're still dealing with a background that is shifting as the color is removed.
That's not a flaw, it belongs to the medium. Many designers accept the a little classic character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color recreation for business logo designs, either order test prints on the exact batch you prepare to use or consider a water based underbase or hybrid technique where needed. For wholesale t t-shirts that will be dispersed nationally, put example approvals into your procedure so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only lifts the cotton portion. That indicates your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks deliberate if you style for it. If your objective is flat, brilliant color on a poly blend, traditional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces seams, folds, and inconsistent pressure that show up as blank micro-gaps. If you must print on ended up garments, expect little spaces along joints, which some clients like as part of the garment's character.
Water based inks act in a different way on press. They dry quicker in the screen, which works on fabric however can lock a mesh if you pause too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a devoted screen rewetting option at hand, and keep the print room humidity in a steady range, roughly 45 to 55 percent, to avoid premature drying. Manual press operators will observe how rapidly a standard water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, lower clogging.
Curing is where many newbies miss the mark. Water based inks need both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with enough air flow makes the difference. You desire even heat throughout the belt and enough dwell to reach the producer's cure temperature throughout the ink layer, not just at the surface. T-shirts leaving the tunnel ought to be dry to the touch without any cool spots. For discharge, the chain reaction occurs during this remedy, and you will smell the activator. Good ventilation is non-negotiable.

Durability depends on proper cure and fiber engagement. A well-cured water based print on cotton can outlast the shirt. I determine durability by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual examination for fading and splitting. Water based prints show gradual softening and a gentle fade in the very same method denim unwinds. Plastisol's failure mode is various, usually cracking if the ink layer is too thick or under-cured. For personalized t-shirts that require to look good at a household reunion and still remain in rotation next summer, water based holds up when produced correctly.
Costs vary regionally, but the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capability. On press, water based can be a little slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, vehicles run at comparable speeds. Where it actually settles is in perceived worth. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turn-around and art changes continuously, direct-to-garment or DTF may be better operationally, though both have their own environmental and feel trade-offs. When you take on wholesale t t-shirts with multiple colorways and need to keep stock flexible, a flexible water based palette on light garments is efficient, given that you avoid the weight and stiffness that collect with numerous underbases in plastisol.
Design preparation starts with the fabric color and ends with treating. On light shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood locations can complete with discharge, particularly on high-absorbency cotton. If you require razor negative area, different the art to print negative shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the actual garment water-based inks instead of trusting a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, particularly with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor smell throughout treating, discharge days in the store are obvious. Well-managed airflow alleviates this, however it belongs to the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, but the particles often sink, and the impact is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, established a workflow that gets rid of guesswork. A simple technique keeps surprises at bay and helps you struck due dates for launches and events.
Print as needed has its own restrictions: quick art changes, small batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, however water based screen printing can fit POD if you organize catalog strategy. For designs that are high volume even at small everyday amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD model counts on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton convenience and breathability are the selling points. Consumers who appreciate touch will notice.
When clients ask why a water based or discharge print costs more than a fundamental plastisol job, I discuss what they are purchasing. They get the soft hand that retail consumers relate with quality, improved breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front soft hand feel prints hit might be modest, typically a small uplift that can be reduced the effects of by choosing a somewhat more economical blank. If the program is for wholesale t shirts entering into stores or e-commerce at exceptional price points, the improvement in perceived worth more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, choices matter. Offer a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and sensible so the shirt makes it through real life. Water based and discharge prints prefer cooler washes and lower dryer heat, however they will endure regular laundering if appropriately treated. I recommend phrasing care tips in human terms on item pages: wash cold with comparable colors, topple dry low, avoid material softeners if you want colors to stay crisp. The last note matters due to the fact that some softeners can transfer movies on fibers, dulling the visual contrast of great lines.
I've checked these instructions in-house: 2 identical shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed a little much faster fading of mid-tones, yet still looked excellent. That tolerance originates from appropriate cure, not from babying the garment.
All over print catches attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of battling seams, design for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and stitch. Brand names that sell restricted runs can justify cut-and-sew for 100 to 300 pieces if the design requires it. The completed garments read as custom-made from a distance, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that felt like it lived in the material. We tested on 3 blacks from two mills. Batch one lifted easily with discharge, batch 2 remained stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the reaction. The outcome: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the team to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most issues I see trace back to procedure, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temp for the right period. Utilize a donut probe or an embedded thermochromic strip to determine real ink movie temperature, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control store humidity.
A 3rd mistake is neglecting material variability. If you change blanks mid-run because a size runs out stock, you may see shifts in color. Construct contingency into your buying. For brand names preparing ahead, selecting a basic blank and locking it with your supplier reduces surprises.
If your top priority is soft, breathable custom-made apparel that clients keep wearing, water based inks deserve the learning curve. Usage standard water based on light garments for clean information and matte color. Relocate to release on 100 percent cotton when you desire the softest prints on dark shirts. Accept and plan for slight color variance with discharge, particularly throughout color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the actual blanks you will utilize, then document your settings and keep back a referral t-shirt for quality control.
If you operate a print on demand brochure, carve out a water based capsule of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not simply on screens. When a client rubs their thumb across a print and feels absolutely nothing however fiber, you've won. That's the moment water based and discharge deliver, and why they should have a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515