Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in constant tension: the push for softer, more breathable prints that people really take pleasure in using, and the requirement to produce at scale without jeopardizing the environment or the bottom line. That stress has formed how I pick inks, pretreatments, and fabrics for custom garments eco-friendly t shirts tasks. Throughout the years, I have actually found out that water based inks and discharge printing are not simply buzzwords, they are useful tools that produce gorgeous results and genuine convenience, especially for T t-shirt printing that requires to stand up to daily wear.
If you run a brand, handle bulk t shirt orders, or merely desire your personalized t-shirts to feel like a preferred from the first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The ideal choice can make the distinction in between a t-shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and treatments into a film, water based inks soak up into the fibers. That single characteristic discusses most of the benefits and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is typically indistinguishable from the shirt itself. For custom-made t t-shirts designed for convenience, this is the path to the "retail feel" customers ask for.
There are two primary families: standard water based and discharge. Standard water based ink works best on white or extremely light shirts. It can cover merchandise printing mid-tones with the best base, but once you move into darker materials, you either require a heavier print or you switch to release. Discharge printing utilizes an activator that raises the dye from the material throughout treating, basically bleaching the shirt's color in the printed areas, then replaces it with your pigment. The end outcome is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks normally include fewer volatile natural compounds than solvent-heavy alternatives and prevent PVC completely. Lots of are compliant with stringent standards like Oeko-Tex or fulfill retail testing programs that ban certain phthalates and heavy metals. If you sell custom apparel into business wellness programs, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You also need to take a look at shop practices: filtering on your washout booth, reclaim chemistry, energy use on your dryer, and even fabric sourcing. Discharge needs an activator, typically based on zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run store, exposure is managed and waste is captured. If you're utilizing print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Real sustainability hides in the details.
Most individuals do not purchase a graphic tee since they love the ink. They purchase it since the garment looks excellent, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, give you that broken-in convenience from day one. On a 100 percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you in some cases obtain from heavy plastisol when you stretch throughout the chest.
I keep a shelf of contrast t-shirts in the studio. One from a browse brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened even more, the colors mellowed somewhat, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear clients prefer, however the user feedback corresponds: water based seems like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, standard water based ink can hit tight Pantones with a measured ink mix and a tidy mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add steers the final color, however you're still working with a background that is shifting as the color is removed.
That's not a defect, it belongs to the medium. Many designers welcome the somewhat vintage character of discharge, where reds land earthy and blues feel deep rather than neon. If your brand name needs laser-precise color reproduction for business logos, either order test prints on the precise batch you prepare to use or think about a water based underbase or hybrid method where needed. For wholesale t t-shirts that will be distributed nationally, put swatch approvals into your procedure so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only raises the cotton part. That suggests your color fills the cotton while the polyester and rayon remain as-is, frequently yielding a heathered or speckled print that looks intentional if you design for it. If your objective is flat, vivid color on a poly blend, conventional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and inconsistent pressure that appear as blank micro-gaps. If you should print on finished garments, anticipate little spaces along seams, which some clients like as part of the garment's character.
Water based inks act differently on press. They dry quicker in the screen, which is useful on fabric but can lock a mesh if you pause too long. Running a higher mesh for information, say 230 to 305, keeps the deposit thin and crisp. Set up with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a steady range, approximately 45 to 55 percent, to prevent premature drying. Manual press operators will see how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant speed, reduce clogging.
Curing is where lots of novices fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the distinction. You want even heat throughout the belt and sufficient dwell to reach the manufacturer's remedy temperature throughout the ink layer, not simply at the surface. T-shirts exiting the tunnel must be dry to the touch with no cool spots. For discharge, the chemical reaction happens throughout this treatment, and you will smell the activator. Good ventilation is non-negotiable.
Durability depends upon correct remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine sturdiness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints show gradual softening and a gentle fade in the exact same method jeans relaxes. Plastisol's failure mode is different, usually breaking if the ink layer is too thick or under-cured. For individualized shirts that require to look good at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall under familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, but you invest more in store environment and drying capacity. On press, water based can be slightly slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, cars run at comparable speeds. Where it truly pays off is in viewed value. A soft print on a mid-tier blank frequently feels premium without leaping to the highest-cost t-shirt. Brands can price accordingly.

For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs over night turn-around and art changes constantly, direct-to-garment or DTF may be much better operationally, though both have their own environmental and feel compromises. When you take on wholesale t t-shirts with several colorways and must keep inventory versatile, a flexible water based scheme on light garments is effective, because you prevent the weight and stiffness that build up with numerous underbases in plastisol.
Design planning starts with the fabric color and ends with curing. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color glimpses through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can fill out with discharge, specifically on high-absorbency cotton. If you require razor negative area, different the art to print unfavorable High-opacity white ink shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than relying on a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can trigger color migration, especially with sublimated or cationic-dyed efficiency shirts, causing ghosting or brownish casts. Some garment dyes, specifically reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is delicate to minor odor during treating, discharge days in the shop are visible. Well-managed air flow mitigates this, however it is part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles often sink, and the effect is more satin than real metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that eliminates guesswork. An easy technique keeps surprises at bay and helps you hit due dates for launches and events.
Print on demand has its own constraints: fast art modifications, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you arrange catalog strategy. For styles that are high volume even at small daily quantities, pre-burning screens and keeping a small stock of popular sizes lets you deliver same day with water based prints that feel much better than lots of DTG outputs. It works finest when you keep art to one or two colors and choose light garments.
If your POD design depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a basic plastisol task, I explain what they are buying. They get the soft hand that retail clients relate with quality, enhanced breathability, and compliance for delicate buyers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a small uplift that can be reduced the effects of by choosing a somewhat more economical blank. If the program is for wholesale t shirts going into stores or e-commerce at exceptional price points, the enhancement in perceived value more than covers the change.
For personalized shirts, such as charity runs or college clubs, options matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some customers enhance for cost, others for feel. Satisfying both lets you serve a larger market without diluting your craft.
Care labels often check out like legal disclaimers. Keep it easy and practical so the shirt survives real life. Water based and discharge prints choose cooler washes and lower clothes dryer heat, but they will sustain typical laundering if properly cured. I recommend phrasing care tips in human terms on product pages: wash cold with comparable colors, topple dry low, prevent material conditioners if you want colors to stay crisp. The last note matters because some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.

I've tested these instructions in-house: two identical shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee revealed slightly quicker fading of mid-tones, yet still looked good. That tolerance originates from proper cure, not from babying the garment.

All over print captures attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of battling joints, design for them. Usage tone-on-tone patterns that fade naturally at joints, or use a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and sew. Brands that sell restricted runs can validate cut-and-sew for 100 to 300 pieces if the design warrants it. The ended up garments check out as customized from a distance, which is the goal.
One spring we ran a series for a regional music celebration. The customer wanted soft black tees with a sunburst print that seemed like it lived in the material. We tested on three blacks from two mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the response. The result: consistent tees across 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the team to deal with discharge like cooking, not chemistry on a blackboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink family. Under-curing is the very first offender. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the required temperature for the right duration. Use a donut probe or an embedded thermochromic strip to measure real ink film temperature, not just clothes dryer setpoints. Screen lockup is the second. Keep a constant pace on press, flood in between prints, and control shop humidity.
A 3rd risk is overlooking material irregularity. If you switch blanks mid-run because a size runs out stock, you might see shifts in color. Build contingency into your buying. For brands planning ahead, picking a basic blank and locking it with your supplier lowers surprises.
If your priority is soft, breathable custom-made apparel that consumers keep using, water based inks are worth the knowing curve. Usage basic water based upon light garments for tidy information and matte color. Transfer to discharge on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for minor color variation with discharge, specifically across color lots. For bulk t t-shirt orders, build in a single round of physical sampling on the real blanks you will use, then record your settings and hold back a recommendation t-shirt for quality control.
If you run a print as needed catalog, take a water based pill of finest sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t shirts are judged in the hands, not just on screens. When a customer rubs their thumb across a print and feels nothing however fiber, you've won. That's the moment water based and discharge provide, and why they are worthy of a place in any serious store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515