Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous tension: the push for softer, more breathable prints that people actually delight in using, and the need to produce at scale without compromising the environment or the bottom line. That stress has shaped how I select inks, pretreatments, and fabrics for customized clothing jobs. For many years, I've learned that water based inks and discharge printing are not just buzzwords, they are useful tools that produce gorgeous outcomes and real convenience, particularly for T shirt printing that requires to withstand daily wear.
If you run a brand, manage bulk t shirt orders, or just want your customized shirts to seem like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they need care. The right choice can make the difference between a shirt that gets worn as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a film, water based inks take in into the fibers. That single particular describes the majority of the benefits and compromises. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is typically indistinguishable from the t-shirt itself. For custom t t-shirts created for convenience, this is the course to the "retail feel" customers ask for.
There are 2 main households: basic water based and discharge. Basic water based ink works best on white or really light shirts. It can cover mid-tones with the ideal base, once you move into darker fabrics, you either require a heavier print or you change to release. Discharge printing utilizes an activator that lifts the dye from the fabric throughout treating, essentially whitening the shirt's color in the printed areas, then replaces it with your pigment. Completion result is the softest possible print on dark cotton, frequently with impressive detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally include less unpredictable organic compounds than solvent-heavy alternatives and avoid PVC completely. Lots of are certified with rigorous requirements like Oeko-Tex or fulfill retail screening routines that ban specific phthalates and heavy metals. If you sell custom-made apparel into corporate health cares, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You likewise require to take a look at store practices: filtration on your washout cubicle, reclaim chemistry, energy use on your dryer, and even material sourcing. Discharge needs an activator, generally based on zinc formaldehyde sulfoxylate or similar substances, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is caught. If you're utilizing print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls called in. Real sustainability conceals in the details.
Most individuals do not purchase a graphic tee since they like the ink. They buy it due to the fact that the garment looks good, feels excellent, and keeps that character after repeated cleaning. Water based inks, consisting of discharge, give you that broken-in convenience from the first day. On a 100 percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often obtain from heavy plastisol when you stretch throughout the chest.
I keep a rack of comparison t-shirts in the studio. One from a surf brand name, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under harsh light, which some streetwear customers choose, however the wearer feedback is consistent: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own color. On white or heather light t-shirts, standard water based ink can strike tight Pantones with a determined ink mix and a tidy mesh. On darker cotton, discharge adds variables. Different color lots discharge in a different way, even within the very same brand name and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include guides the last color, but you're cheap custom t shirts still working with a background that is shifting as the color is removed.
That's not a flaw, it's part of the medium. Numerous designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color reproduction for business logos, either order test prints on the exact batch you prepare to utilize or consider a water based underbase or hybrid approach where required. For wholesale t t-shirts that will be distributed nationally, put example approvals into your process so there are no surprises at scale.
A water based print is a collaboration between ink and fiber. Ringspun cotton takes ink perfectly. Carded open end cotton is scratchier and beverages ink unevenly. Blends complicate things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge only raises the cotton part. That means your color saturates the cotton while the polyester and rayon stay as-is, frequently yielding a heathered or speckled print that looks deliberate if you design for it. If your goal is flat, brilliant color on a poly mix, conventional plastisol or a specialized low-cure system may be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, think about cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees introduces joints, folds, and irregular pressure that appear as blank micro-gaps. If you should print on finished garments, anticipate little voids along seams, which some customers like as part of the garment's character.
Water based inks act differently on press. They dry faster in the screen, which is useful on fabric but can lock a mesh if you stop briefly too long. Running a greater mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print room humidity in a steady range, roughly 45 to 55 percent, to avoid early drying. Manual press operators will see how quickly a basic water based ink clears the screen compared to a heavy plastisol. Car presses, with flood bars and constant speed, decrease clogging.
Curing is where numerous beginners fizzle. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with adequate air flow makes the difference. You want even heat across the belt and sufficient dwell to reach the manufacturer's remedy temperature level throughout the ink layer, not simply at the surface area. T-shirts leaving the tunnel ought to be dry to the touch with no cool areas. For discharge, the chain reaction happens throughout this cure, and you same day t shirt printing will smell the activator. Good ventilation is non-negotiable.
Durability depends upon proper remedy and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure toughness by standardized wash tests, 10 to 20 cycles at warm, topple dry medium, then visual assessment for fading and cracking. Water based prints reveal progressive softening and a mild fade in the same method jeans unwinds. Plastisol's failure mode is different, typically splitting if the ink layer is too thick or under-cured. For tailored t-shirts that need to look proficient at a family reunion and still be in rotation next summer, water based holds up when produced correctly.
Costs differ regionally, but the economics fall into familiar patterns. Water based ink itself is often comparable to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, vehicles run at similar speeds. Where it truly pays off remains in perceived worth. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art suits the medium, discharge on one hundred percent cotton is a workhorse. For print as needed that needs over night turn-around and art modifications continuously, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you take on wholesale t shirts with numerous colorways and must keep stock versatile, a flexible water based palette on light garments is efficient, since you avoid the weight and tightness that build up with numerous underbases in plastisol.
Design preparation starts with the fabric color and ends with curing. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the t-shirt color looks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, particularly on high-absorbency cotton. If you need razor negative area, separate the art to print unfavorable shapes as positive strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not catch fiber interaction and color lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed efficiency shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, resist lifting, leaving a shadowed print that looks undercured even when it isn't. If a customer is sensitive to small odor during curing, discharge days in the store are visible. Well-managed air flow mitigates this, however it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that space. Water based metallics exist, however the particles typically sink, and the result is more satin than true metal. For high-opacity neons on dark shirts that need to be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, set up a workflow that removes uncertainty. A basic approach keeps surprises at bay and helps you struck deadlines for launches and events.
Print on demand has its own constraints: quick art modifications, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has become the default, but water based screen printing can fit POD if you organize catalog method. For styles that are high volume even at little day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to a couple of colors and select light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Consumers who appreciate touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I explain what they are purchasing. They get the soft hand that retail clients equate with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit might be modest, frequently a small uplift that can be neutralized by selecting a somewhat more affordable blank. If the program is for wholesale t t-shirts entering into boutiques or e-commerce at superior rate points, the enhancement in viewed worth more than covers the change.
For customized t-shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some clients enhance for expense, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and sensible so the t-shirt endures real life. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will withstand normal laundering if properly treated. I recommend phrasing care pointers in human terms on item pages: wash cold with comparable colors, topple dry low, prevent fabric softeners if you desire colors to stay crisp. The last note matters since some conditioners can deposit films embroidery hoops and stabilizers on fibers, dulling the visual contrast of fine lines.
I have actually tested these instructions in-house: 2 similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed somewhat much faster fading of mid-tones, yet still looked great. That tolerance comes from right treatment, not from babying the garment.
All over print catches attention, but printing flood coats on assembled garments with water based inks can be unforgiving. Rather of combating seams, style for them. Use tone-on-tone patterns that fade naturally at seams, or apply a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brands that offer minimal runs can validate cut-and-sew for 100 to 300 pieces if the style requires it. The ended up garments read as customized from a range, which is the goal.
One spring we ran a series for a regional music festival. The client desired soft black tees with a sunburst print that felt like it resided in the material. We tested on 3 blacks from two mills. Batch one raised easily with discharge, batch two remained stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to complete the response. The outcome: consistent tees across 2,400 units, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a chalkboard. The recipe matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever struck the needed temperature for the right duration. Use a donut probe or an embedded thermochromic strip to measure true ink movie temperature level, not just dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood in between prints, and control shop humidity.
A third mistake is overlooking material irregularity. If you change blanks mid-run since a size runs out stock, you may see shifts in color. Develop contingency into your purchasing. For brands planning ahead, choosing a standard blank and locking it with your provider lowers surprises.
If your concern is soft, breathable custom clothing that customers keep wearing, water based inks deserve the knowing curve. Use standard water based upon light Silk screen garments for clean detail and matte color. Move to discharge on one hundred percent cotton when you desire the softest prints on dark shirts. Accept and prepare for minor color variance with discharge, specifically across dye lots. For bulk t shirt orders, build in a DTG t-shirt printing single round of physical tasting on the actual blanks you will utilize, then document your settings and keep back a reference shirt for quality control.
If you run a print on demand brochure, take a water based capsule of best sellers on light t-shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty effects and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not just on screens. When a client rubs their thumb throughout a print and feels nothing but fiber, you've won. That's the moment water based and discharge provide, and why they are worthy of a location in any major shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515