Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see 2 things in continuous stress: the push for softer, more breathable prints that individuals really take pleasure in using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has shaped how I choose inks, pretreatments, and fabrics for custom clothing jobs. Throughout the years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce gorgeous results and genuine convenience, specifically for T shirt printing that requires to stand up to day-to-day wear.
If you run a brand name, handle bulk t t-shirt orders, or simply desire your tailored t-shirts to feel like a preferred from the first wash, it's worth comprehending how these ink systems work, where they shine, and where they need care. Contract screen printing The best option can make the distinction between a shirt that gets worn once and one that becomes the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the fabric and cures into a movie, water based inks soak up into the fibers. That single characteristic describes the majority of the benefits and trade-offs. Prints feel soft since you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is frequently equivalent from the shirt itself. For customized t shirts designed for comfort, this is the course to the "retail feel" customers ask for.
There are 2 main families: standard water based and discharge. Standard water based ink works best on white or very light shirts. It can cover mid-tones with the ideal base, but once you move into darker fabrics, you either need a heavier print or you change to release. Release printing uses an activator that raises the color from the fabric during treating, essentially bleaching the shirt's color in the printed areas, then changes it with your pigment. The end result is the softest possible print on dark cotton, often with exceptional detail.
Eco friendly inks are not a marketing motto if you unpack the chemistry and the workflow. Water based inks usually contain fewer unpredictable natural compounds than solvent-heavy alternatives and avoid PVC entirely. Numerous are compliant with strict standards like Oeko-Tex or fulfill retail testing programs that ban specific phthalates and heavy metals. If you sell custom apparel into business wellness programs, schools, or health-conscious brand names, those certificates smooth procurement and keep you ahead of compliance.
That stated, "eco friendly" is a system concept. Ink is one part. You likewise require to take a look at store practices: filtering on your washout cubicle, recover chemistry, energy usage on your clothes dryer, and even material sourcing. Discharge needs an activator, generally based upon zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation needs. In a well-run store, exposure is managed and waste is caught. If you're using print as needed with a partner, ask how they handle discharge effluent and whether they have air exchange and curing controls called in. Genuine sustainability conceals in the details.
Most people do not buy a graphic tee because they like the ink. They buy it because the garment looks excellent, feels great, and keeps that character after duplicated cleaning. Water based inks, including discharge, give you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you sometimes obtain from heavy plastisol when you stretch across the chest.
I keep a rack of contrast shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed a little, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under extreme light, which some streetwear customers choose, however the user feedback corresponds: water based feels like a premium garment.
Color accuracy with water based inks is a matter of control, humidity, and the fabric's own color. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a determined ink mix and a clean mesh. On darker cotton, discharge adds variables. Various color lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch may raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the final color, but you're still dealing with a background that is moving as the dye is removed.
That's not a defect, it becomes part of the medium. Lots of designers embrace the somewhat vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand demands laser-precise color reproduction for business logos, either order test prints on the exact batch you prepare to use or think about a water based underbase or hybrid method where needed. For wholesale t shirts that will be dispersed nationally, put example approvals into your process so there are not a surprises at scale.
A water based print is a collaboration in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can work with water based, but discharge just raises the cotton portion. That implies your color saturates the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks intentional if you style for it. If your goal is flat, vivid color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print projects, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees presents joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on completed garments, anticipate little voids along joints, which some customers like as part of the garment's character.
Water based inks behave in a different way on press. They dry faster in the screen, which is useful on material however can lock a mesh if you stop briefly too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting service at hand, and keep the print room humidity in a constant variety, approximately 45 to 55 percent, to avoid premature drying. Manual press operators will discover how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Auto presses, with flood bars and consistent pace, lower clogging.
Curing is where many novices fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A dryer tunnel with adequate airflow makes the difference. You desire even heat throughout the belt and sufficient dwell to reach the maker's remedy temperature level throughout the ink layer, not just at the surface area. Shirts leaving the tunnel should be dry to the touch without any cool spots. For discharge, the chemical reaction happens throughout this cure, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate remedy and fiber engagement. A well-cured water based print on cotton can last longer than the shirt. I measure durability by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual examination for fading and cracking. Water based prints reveal steady softening and a mild fade in the exact same way denim unwinds. Plastisol's failure mode is different, typically splitting if the ink layer is too thick or under-cured. For personalized t-shirts that need to look good at a household reunion and still remain in rotation next summertime, water based holds up when produced correctly.
Costs differ regionally, however the economics fall into familiar patterns. Water based ink itself is frequently comparable to plastisol at the gallon level, however you invest more in store environment and drying capability. On press, water based can be somewhat slower at setup due to the fact that you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, automobiles perform at comparable speeds. Where it actually pays off is in perceived value. A soft print on a mid-tier blank typically feels premium without jumping to the highest-cost shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art fits the medium, discharge on 100 percent cotton is a workhorse. For print on demand that requires over night turn-around and art changes constantly, direct-to-garment or DTF may be better operationally, though both have their own ecological and feel trade-offs. When you take on wholesale t t-shirts with multiple colorways and should keep stock versatile, a versatile water design your own shirt based scheme on light garments is effective, given that you avoid the weight and tightness that build up with numerous underbases in plastisol.
Design preparation begins with the material color and ends with curing. On light shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a special that plastisol tends to subdue. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color glimpses through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Very thin knockouts inside heavy flood areas can complete with discharge, especially on high-absorbency cotton. If you require razor negative space, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment instead of trusting a digital mockup. A mockup can not capture fiber interplay and dye lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, particularly with sublimated or cationic-dyed performance shirts, resulting in ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to minor odor throughout treating, discharge days in the store are visible. Well-managed airflow reduces this, but it becomes part of the process.
If a customer requires metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the impact is more satin than real metal. For high-opacity neons on dark t-shirts that should be billboard-bright, you may need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that eliminates uncertainty. A basic technique keeps surprises at bay and assists you struck deadlines for launches and events.
Print as needed has its own constraints: fast art modifications, small batch sizes, and the need for a broad color range. Direct-to-garment has become the default, but water based screen printing can fit POD if you arrange catalog technique. For styles that are high volume even at small daily amounts, pre-burning screens and keeping a little stock of popular sizes lets you deliver very same day with water based prints that feel much better than numerous DTG outputs. It works best when you keep art to a couple of colors and choose light garments.
If your POD model relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Use it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When clients ask why a water based or discharge print costs more than a standard plastisol task, I describe what they are buying. They get the soft hand that retail clients relate with quality, enhanced breathability, and compliance for delicate purchasers. On a per-shirt basis, the difference for a standard three-color front hit may be modest, frequently a little uplift that can be neutralized by picking a somewhat more affordable blank. If the program is for wholesale t shirts going into stores or e-commerce at exceptional rate points, the improvement in perceived worth more than covers the change.
For individualized t-shirts, such as charity runs or college clubs, options matter. Offer a base cost with plastisol on midweight cotton, then a "comfort upgrade" that includes a ringspun blank with water based ink. You will see a clear split: some customers enhance for expense, others for feel. Fulfilling both lets you serve a broader market without diluting your craft.
Care labels frequently read like legal disclaimers. Keep it simple and reasonable so the t-shirt endures reality. Water based and discharge prints prefer cooler washes and lower dryer heat, but they will sustain regular laundering if properly treated. I recommend phrasing care pointers in human terms on product pages: wash cold with similar colors, topple dry low, avoid fabric conditioners if you desire colors to stay crisp. The last note matters since some conditioners can deposit films on fibers, dulling the visual contrast of fine lines.
I've checked these directions in-house: two similar shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly quicker fading of mid-tones, yet still looked good. That tolerance originates from correct treatment, not from babying the garment.
All over print captures print on demand shirts attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting joints, design for them. Use tone-on-tone patterns that fade naturally at seams, or use a ghosted grid that looks deliberate when it breaks at hems. Alternatively, run panel printing and sew. Brands that offer restricted runs can justify cut-and-sew for 100 to 300 pieces if the style warrants it. The completed garments check out as custom from a range, which is the goal.
One spring we ran a series for a local music festival. The customer wanted soft black tees with a sunburst print that seemed like it resided in the fabric. We sampled on three blacks from 2 mills. Batch one lifted easily with discharge, batch two stayed stubbornly dark in the mid-rays of the artwork. We logged dye lot numbers, pivoted the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to finish the reaction. The result: constant tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That task taught the crew to deal with discharge like cooking, not chemistry on a chalkboard. The recipe matters, however so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink household. Under-curing is the very first perpetrator. Water based ink that feels dry can still be under-cured if the core of the print never hit the required temp for the best period. Utilize a donut probe or an ingrained thermochromic strip to determine true ink movie temperature level, not just clothes dryer setpoints. Screen lockup is the second. Keep a consistent rate on press, flood between prints, and control shop humidity.
A 3rd pitfall is overlooking fabric variability. If you switch blanks mid-run due to the fact that a size is out of stock, you might see shifts in color. Construct contingency into your acquiring. For brands preparing ahead, selecting a standard blank and locking it with your provider lowers surprises.
If your concern is soft, breathable customized clothing that clients keep using, water based inks are worth the learning curve. Usage standard water based on light garments for clean information and matte color. Transfer to release on one hundred percent cotton when you want the softest prints on dark t-shirts. Accept and prepare for small color difference with discharge, particularly across color lots. For bulk t shirt orders, integrate in a single round of physical tasting on the real blanks you will utilize, then record your settings and hold back a reference shirt for quality control.
If you operate a print as needed catalog, take a water based pill of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialized results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not just on screens. When a client rubs their thumb throughout a print and feels nothing however fiber, you have actually won. That's the minute water based and discharge deliver, and why they deserve a location in any major store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515