Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any print shop that takes its craft seriously, and you will see two things in constant tension: the push for softer, more breathable prints that individuals really delight in using, and the requirement to produce at scale without compromising the environment or the bottom line. That tension has actually formed how I select inks, pretreatments, and fabrics for custom apparel tasks. Throughout the years, I've learned that water based inks and discharge printing are not just buzzwords, they are useful tools that produce beautiful outcomes and genuine convenience, especially for T t-shirt printing that requires to withstand everyday wear.
If you run a brand name, handle bulk t shirt orders, or simply want your personalized shirts to seem like a favorite from the first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The right choice can make the distinction in between a t-shirt that gets used as soon as and one that ends up being the go-to.
Water based inks suspend pigments in water rather than in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a film, water based inks absorb into the fibers. That single particular explains most of the advantages and trade-offs. Prints feel soft due to the fact that you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and incorporated. On light garments, the hand is frequently equivalent from the t-shirt itself. For customized t t-shirts developed for convenience, this is the course to the "retail feel" clients ask for.

There are 2 main households: standard water based and discharge. Standard water local Jacksonville T shirt printing options based ink works best on white or very light shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a heavier print or you change to discharge. Release printing uses an activator that lifts the dye from the material during treating, basically whitening the shirt's dye in the printed locations, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, often with outstanding detail.
Eco friendly inks are not a marketing motto if you unload the chemistry and the workflow. Water based inks generally include fewer volatile natural compounds than solvent-heavy alternatives and prevent PVC entirely. Numerous are certified with rigorous requirements like Oeko-Tex or satisfy retail testing programs that ban specific phthalates and heavy metals. If you sell customized garments into business health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system principle. Ink is one part. You also require to look at shop practices: purification on your washout cubicle, reclaim chemistry, energy use on your dryer, and even fabric sourcing. Discharge needs an activator, typically based on zinc formaldehyde sulfoxylate or comparable compounds, which has its own handling and ventilation requirements. In a well-run store, direct exposure is controlled and waste is captured. If you're utilizing print as needed with a partner, ask how they deal with discharge effluent and whether they have air exchange and curing controls dialed in. Real sustainability hides in the details.
Most individuals do not purchase a graphic tee since they enjoy the ink. They buy it due to the fact that the garment looks good, feels excellent, and keeps that character after repeated cleaning. Water based inks, including discharge, provide you that broken-in comfort from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and versatile. You will not hear the crackle you often receive from heavy plastisol when you extend throughout the chest.
I keep a shelf of contrast t-shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened much more, the colors mellowed slightly, and the t-shirts kept moving. A plastisol sample with the exact same art looks glossier and still pops more under severe light, which some streetwear clients prefer, however the user feedback corresponds: water based feels like a premium garment.
Color precision with water based inks is a matter of control, humidity, and the material's own dye. On white or heather light t-shirts, basic water based ink can strike tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge adds variables. Various dye lots discharge differently, even within the exact same brand and color. Black 3001 blanks from one batch might raise to a warm charcoal, while the next batch clears to a cooler grey. The pigment you add guides the last color, however you're still working with a background that is shifting as the color is removed.
That's not a flaw, it becomes part of the medium. Lots of designers welcome the slightly vintage character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand needs laser-precise color reproduction for corporate logo designs, either order test prints on the specific batch you prepare to utilize or consider a water based underbase or hybrid method where needed. For wholesale t shirts that will be dispersed nationally, put swatch approvals into your process so there are not a surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and drinks ink unevenly. Blends make complex things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, but discharge only raises the cotton portion. That means your color fills the cotton while the polyester and rayon stay as-is, typically yielding a heathered or speckled print that looks deliberate if you style for it. If your goal is flat, vibrant color on a poly mix, standard plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on ended up tees introduces joints, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on ended up garments, expect little voids along joints, which some customers like as part of the garment's character.

Water local T shirt printing Jacksonville based inks behave differently on press. They dry faster in the screen, which is useful on fabric but can lock a mesh if you stop briefly too long. Running a higher mesh for detail, say 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a devoted screen rewetting solution at hand, and keep the print space humidity in a constant variety, roughly 45 to 55 percent, to prevent early drying. Manual press operators will observe how quickly a basic water based ink clears the screen compared to a heavy plastisol. Automobile presses, with flood bars and consistent speed, reduce clogging.
Curing is where many novices fizzle. Water based inks require both heat and time for the water to vaporize, then for the binders to cross-link. A clothes dryer tunnel with adequate air flow makes the difference. You want even heat throughout the belt and sufficient dwell to reach the manufacturer's remedy temperature throughout the ink layer, not just at the surface. Shirts exiting the tunnel should be dry to the touch without any cool areas. For discharge, the chemical reaction happens during this remedy, and you will smell the activator. Excellent ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I determine resilience by standardized wash tests, 10 to 20 cycles at warm, tumble dry medium, then visual inspection for fading and splitting. Water based prints reveal gradual softening and a mild fade in the exact same way denim unwinds. Plastisol's failure mode is various, generally splitting if the ink layer is too thick or under-cured. For customized t-shirts that need to look good at a household reunion and still remain in rotation next summer season, water based holds up when produced correctly.
Costs differ regionally, however the economics fall under familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, but you invest more in store environment and drying capability. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. As soon as tuned, automobiles run at comparable speeds. Where it actually settles is in perceived value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost t-shirt. Brands can price accordingly.
For bulk t shirt orders above a couple of hundred pieces where the art matches the medium, discharge on 100 percent cotton is a workhorse. For print on demand that needs over night turn-around and art modifications constantly, direct-to-garment or DTF might be much better operationally, though both have their own ecological and feel compromises. When you take on wholesale t t-shirts with several colorways and must keep inventory versatile, a versatile water based palette on light garments is effective, considering that you prevent the weight and stiffness that collect with multiple underbases in plastisol.
Design planning starts with the fabric color and ends with treating. On light t-shirts, lean into detail: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Consider how the shirt color looks through. A charcoal heather with a discharge cream graphic appear like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill out with discharge, specifically on high-absorbency cotton. If you need razor negative area, different the art to print negative shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for an evidence on the actual garment rather than relying on a digital mockup. A mockup can not record fiber interplay and color lift.
There are times I recommend against discharge. Polyester-rich garments are leading of the list. The activator can cause dye migration, especially with sublimated or cationic-dyed performance t-shirts, leading to ghosting or brownish casts. Some garment dyes, especially reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is sensitive to small smell throughout treating, discharge days in the store are obvious. Well-managed air flow alleviates this, but it is part of the process.
If a customer needs metallics, puff, or specialty textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles often sink, and the result is more satin than true metal. For high-opacity neons on dark t-shirts that must be billboard-bright, you might need a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or count on a partner, established a workflow that eliminates guesswork. A simple approach keeps surprises at bay and assists you hit deadlines for launches and events.
Print as needed has its own constraints: quick art changes, little batch sizes, and the need for a broad color gamut. Direct-to-garment has actually become the default, but water based screen printing can fit POD if you organize catalog method. For designs that are high volume even at little day-to-day amounts, pre-burning screens and keeping a little stock of popular sizes lets you ship same day with water based prints that feel much better than many DTG outputs. It works best when you keep art to one or two colors and choose light garments.
If your POD design relies on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Consumers who care about touch will notice.
When customers ask why a water based or discharge print costs more than a basic plastisol job, I discuss what they are buying. They get the soft hand that retail customers correspond with quality, enhanced breathability, and compliance for sensitive purchasers. On a per-shirt basis, the difference for a standard three-color front hit might be modest, typically a little uplift that can be neutralized by choosing a somewhat more cost-effective blank. If the program is for wholesale t shirts going into stores or e-commerce at premium cost points, the improvement in viewed worth more than covers the change.
For individualized shirts, such as charity runs or college clubs, alternatives matter. Deal a base rate with plastisol on midweight cotton, then a "convenience upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for cost, others for feel. Fulfilling both lets you serve a wider market without diluting your craft.
Care labels frequently check out like legal disclaimers. Keep it basic and practical so the shirt survives reality. Water based and discharge prints choose cooler washes and lower dryer heat, however they will sustain normal laundering if effectively treated. I suggest phrasing care suggestions in human terms on product pages: wash cold with similar colors, topple dry low, prevent material conditioners if you desire colors to stay crisp. The last note matters because some conditioners can transfer movies on fibers, dulling the visual contrast of great lines.
I've tested these instructions in-house: two identical t-shirts, one cleaned cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed slightly much faster fading of mid-tones, yet still looked excellent. That tolerance originates from appropriate treatment, not from babying the garment.
All over print captures attention, but printing flood coats on put together garments with water based inks can be unforgiving. Rather of fighting joints, style for them. Usage tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Alternatively, run panel printing and sew. Brands that sell restricted runs can validate cut-and-sew for 100 to 300 pieces if the style necessitates it. The ended up garments check out as custom from a range, which is the goal.
One spring we ran a series for a regional music festival. The client wanted soft black tees with a sunburst print that seemed like it lived in the fabric. We tested on three blacks from two mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the art work. We logged color lot numbers, rotated the ink mix by adding a touch more white pigment to compensate, and adjusted dwell time by 10 to 15 seconds to finish the reaction. The result: consistent tees throughout 2,400 systems, each with a soft, breathable print that sold out by day two.
That job taught the team to treat discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to procedure, not the ink family. Under-curing is the first offender. Water based ink that feels dry can still be under-cured if the core of the print never hit the needed temp for the best period. Use a donut probe or an ingrained thermochromic strip to determine real ink movie temperature level, not simply clothes dryer setpoints. Screen lockup is the second. Keep a consistent speed on press, flood between prints, and control shop humidity.
A third risk is overlooking fabric irregularity. If you change blanks mid-run because a size is out of stock, you might see shifts in color. Construct contingency into your purchasing. For brand names preparing ahead, selecting a standard blank and locking it with your supplier minimizes surprises.
If your top priority is soft, breathable customized garments that customers keep wearing, water based inks are worth the learning curve. Usage basic water based upon light garments for tidy information and matte color. Relocate to release on one hundred percent cotton when you desire the softest prints on dark t-shirts. Accept and prepare for small color variation with discharge, particularly across color lots. For bulk t shirt orders, integrate in a single round of physical sampling on the real blanks you will custom t shirts online utilize, then document your settings and keep back a reference shirt for quality control.
If you operate a print on demand brochure, carve out a water based capsule of finest sellers on light shirts. Market the difference: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty impacts and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are judged in the hands, not just on screens. When a customer rubs their thumb throughout a print and feels nothing however fiber, you have actually won. That's the moment water based and discharge provide, and why they should have a location in any severe store or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515