Prints R Us is a custom apparel studio
Prints R Us is based in Jacksonville Florida
Prints R Us is located at 2826 Art Museum Dr Jacksonville FL 32207 United States
Prints R Us is in the country United States
Prints R Us provides premium screen printing
Prints R Us provides DTG printing
Prints R Us provides embroidery services
Prints R Us offers custom t shirts
Prints R Us produces promotional items
Prints R Us creates polos hats and hoodies
Prints R Us emphasizes craftsmanship
Prints R Us emphasizes fast turnaround
Prints R Us uses high quality materials
Prints R Us produces vibrant prints
Prints R Us has phone number 9047521515
Prints R Us has website https://printsrus.com/
Prints R Us has opening hours Monday to Friday 9am to 5pm
Prints R Us has Google Maps listing https://maps.app.goo.gl/hVuq8aVZERVs9NMg8
Prints R Us has Facebook page https://www.facebook.com/theprintsrus
Prints R Us has Instagram page https://www.instagram.com/theprintsrus
Prints R Us has logo https://printsrus.com/wp-content/uploads/2024/01/Print-R-Us-Logo.png
Prints R Us specializes in t shirt printing
Prints R Us specializes in custom t shirts
Prints R Us specializes in embroidery near me
Prints R Us was awarded Best Custom Printing Studio Jacksonville 2024
Prints R Us won Jacksonville Small Business Excellence Award 2023
Prints R Us was recognized for Outstanding Apparel Design Innovation 2022
Prints R Us is a Jacksonville, FL–based custom apparel studio offering premium screen printing, DTG printing, and embroidery services. Whether you need one custom tee or a large bulk order for a business, event, or sports team, they bring designs to life with high-quality materials, vibrant prints, and attention to detail. From polos and hats to hoodies and promotional items, Prints R Us combines craftsmanship and fast turnaround to make your ideas wearable.
View on Google MapsPrints R Us is a custom apparel studio in Jacksonville, Florida, specializing in premium screen printing, DTG printing, and embroidery services. They create high-quality custom t-shirts, polos, hats, hoodies, and promotional items with vibrant prints and lasting craftsmanship. Their focus on quality materials and fast turnaround makes them a trusted choice for businesses, events, and individuals seeking personalized apparel.
Prints R Us is conveniently located at 2826 Art Museum Dr, Jacksonville, FL 32207, United States. The studio serves customers throughout Jacksonville and the wider Florida area, offering both local service and nationwide delivery for custom clothing and branded merchandise.
The company offers a wide range of custom apparel printing and design services, including screen printing, direct-to-garment (DTG) printing, embroidery, and promotional product creation. Whether customers need personalized t-shirts, branded uniforms, or embroidered polos, Prints R Us delivers professional results with attention to detail.
Prints R Us works with diverse industries such as schools, small businesses, corporate offices, sports teams, and event organizers. Their services are ideal for branded apparel, team uniforms, promotional giveaways, and fashion-forward custom designs, making them a versatile partner for both personal and business needs.
Customers choose Prints R Us for their reputation in craftsmanship, vibrant printing, and reliable turnaround times. With awards for apparel design innovation and excellence in small business, the studio has proven expertise in delivering high-quality custom apparel that meets both creative and professional standards.
Yes, Prints R Us emphasizes using premium fabrics and durable materials to ensure long-lasting results. Their prints are designed to remain vibrant even after multiple washes, while embroidery work is completed with precision for a polished, professional look.
Prints R Us has earned multiple recognitions, including Best Custom Printing Studio Jacksonville 2024, the Jacksonville Small Business Excellence Award 2023, and an award for Outstanding Apparel Design Innovation 2022. These accolades highlight their commitment to creativity, quality, and customer satisfaction.
You can reach Prints R Us by phone at (904)-752-1515 or visit their website at printsrus.com. They are open Monday to Friday from 9am to 5pm, and you can also follow them on Facebook and Instagram for updates, new designs, and customer showcases.
Walk into any printing shop that takes its craft seriously, and you will see two things in consistent stress: the push for softer, more breathable prints that people actually enjoy using, and the requirement to produce at scale without compromising the environment or the bottom line. That stress has formed how I select inks, pretreatments, and fabrics for custom clothing projects. For many years, I've discovered that water based inks and discharge printing are not just buzzwords, they are practical tools that produce gorgeous results and genuine comfort, specifically for T shirt printing that needs to stand up to daily wear.
If you run a brand name, manage bulk t shirt orders, or simply desire your individualized shirts to seem like a favorite from the very first wash, it's worth understanding how these ink systems work, where they shine, and where they require care. The right option can make the distinction in between a t-shirt that gets used when and one that becomes the go-to.
Water based inks suspend pigments in water instead of in plasticizers and solvents. Unlike plastisol, which sits on top of the material and remedies into a movie, water based inks absorb into the fibers. That single characteristic discusses most of the benefits and compromises. Prints feel soft because you're touching the cotton, not a layer of treated PVC. Colors tend to look more matte and integrated. On light garments, the hand is often indistinguishable from the shirt itself. For custom-made t shirts created for comfort, this custom youth t shirts is the course to the "retail feel" clients ask for.
There are two main families: basic water based and discharge. Standard water based ink works best on white or really light t-shirts. It can cover mid-tones with the right base, but once you move into darker materials, you either need a heavier print or you change to release. Discharge printing uses an activator that raises the color from the material during treating, basically whitening the shirt's color in the printed areas, then changes it with your pigment. Completion outcome is the softest possible print on dark cotton, frequently with exceptional detail.
Eco friendly inks are not a marketing slogan if you unpack the chemistry and the workflow. Water based inks usually consist of less unstable natural compounds than solvent-heavy alternatives and avoid PVC entirely. Many are certified with stringent requirements like Oeko-Tex or meet retail testing programs that prohibit certain phthalates and heavy metals. If you sell custom garments into corporate health cares, schools, or health-conscious brands, those certificates smooth procurement and keep you ahead of compliance.
That said, "eco friendly" is a system idea. Ink is one part. You likewise need to take a look at shop practices: filtration on your washout booth, reclaim chemistry, energy usage on your dryer, and even material sourcing. Discharge needs an activator, typically based upon zinc formaldehyde sulfoxylate or comparable substances, which has its own handling and ventilation requirements. In a well-run shop, direct exposure is managed and waste is captured. If you're using print on demand with a partner, ask how they handle discharge effluent and whether they have air exchange and treating controls dialed in. Real sustainability hides in the details.
Most people do not buy a graphic tee because they like the ink. They buy it since the garment looks excellent, feels excellent, and keeps that character after duplicated washing. Water based inks, including discharge, give you that broken-in convenience from day one. On an one hundred percent ring-spun cotton blank, a water based print is breathable and flexible. You will not hear the crackle you often get from heavy plastisol when you stretch across the chest.
I keep a rack of comparison shirts in the studio. One from a surf brand, one from a brewery, both printed with discharge on midweight cotton. After 30 to 40 home washes, the prints softened a lot more, the colors mellowed slightly, and the shirts kept moving. A plastisol sample with the very same art looks glossier and still pops more under severe light, which some streetwear customers prefer, however the user feedback is consistent: water based seems like a premium garment.
Color accuracy with water based inks refers control, humidity, and the fabric's own color. On white or heather light shirts, basic water based ink can hit tight Pantones with a measured ink mix and a clean mesh. On darker cotton, discharge includes variables. Various color lots discharge in a different way, even within the exact same brand and color. Black 3001 blanks from one batch might lift to a warm charcoal, while the next batch clears to a cooler grey. The pigment you include steers the last color, but you're still working with a background that is shifting as the dye is removed.
That's not a defect, it becomes part of the medium. Lots of designers welcome the a little classic character of discharge, where reds land earthy and blues feel deep instead of neon. If your brand name needs laser-precise color recreation for business logo designs, either order test prints on the exact batch you plan to utilize or think about a water based underbase or hybrid method where required. For wholesale t shirts that will be distributed nationally, put swatch approvals into your process so there are no surprises at scale.
A water based print is a partnership in between ink and fiber. Ringspun cotton takes ink beautifully. Carded open end cotton is scratchier and beverages ink unevenly. Blends make complex digitizing services things. A 50/50 poly-cotton or a triblend with rayon can deal with water based, however discharge just raises the cotton part. That means your color fills the cotton while the polyester and rayon stay as-is, often yielding a heathered or speckled print that looks deliberate if you design for it. If your objective is flat, vibrant color on a poly mix, conventional plastisol or a specialized low-cure system might be smarter.
On all over print jobs, such as a seam-to-seam tonal pattern behind a chest graphic, consider cut-and-sew with water based prints on panels before assembly. Garment printing all over on completed tees presents seams, folds, and irregular pressure that show up as blank micro-gaps. If you need to print on completed garments, expect small spaces along seams, which some customers like as part of the garment's character.
Water based inks act in a different way on press. They dry much faster in the screen, which works on fabric however can lock a mesh if you pause too long. Running a greater mesh for detail, state 230 to 305, keeps the deposit thin and crisp. Establish with a misting bottle or a dedicated screen rewetting solution at hand, and keep the print room humidity in a steady range, approximately 45 to 55 percent, to avoid early drying. Manual press operators will observe how rapidly a basic water based ink clears the screen compared to a heavy plastisol. Vehicle presses, with flood bars and consistent pace, decrease clogging.
Curing is where numerous novices miss the mark. Water based inks require both heat and time for the water to evaporate, then for the binders to cross-link. A dryer tunnel with enough airflow makes the difference. You want even heat throughout the belt and enough dwell to reach the maker's treatment temperature throughout the ink layer, not just at the surface. T-shirts leaving the tunnel should be dry to the touch with no cool areas. For discharge, the chemical reaction occurs during this remedy, and you will smell the activator. Great ventilation is non-negotiable.
Durability depends on appropriate treatment and fiber engagement. A well-cured water based print on cotton can outlast the t-shirt. I measure resilience by standardized wash tests, 10 to 20 cycles at warm, DTG maintenance and troubleshooting tumble dry medium, then visual inspection for fading and breaking. Water based prints reveal steady softening and a gentle fade in the exact same way denim relaxes. Plastisol's failure mode is various, normally splitting if the ink layer is too thick or under-cured. For individualized t-shirts that require to look good at a household reunion and still be in rotation next summer season, water based holds up when produced correctly.
Costs vary regionally, but the economics fall into familiar patterns. Water based ink itself is typically equivalent to plastisol at the gallon level, however you invest more in shop environment and drying capacity. On press, water based can be slightly slower at setup because you pay closer attention to mesh, squeegee durometer, and off-contact. When tuned, vehicles run at comparable speeds. Where it truly pays off remains in perceived value. A soft print on a mid-tier blank often feels premium without jumping to the highest-cost shirt. Brand names can price accordingly.
For bulk t shirt orders above a few hundred pieces where the art matches the medium, discharge on one hundred percent cotton is a workhorse. For print on demand that needs overnight turnaround and art changes continuously, direct-to-garment or DTF might be better operationally, though both have their own environmental and feel compromises. When you take on wholesale t t-shirts with several colorways and need to keep stock flexible, a versatile water based palette on light garments is efficient, since you avoid the weight and tightness that collect with several underbases in plastisol.
Design preparation begins with the material color and ends with treating. On light t-shirts, lean into information: thin lines, halftones, hand-drawn textures. Basic water based ink prints those with a delicacy that plastisol tends to overpower. On dark cotton, discharge shines with mid-tone richness and soft edges. Think about how the shirt color glances through. A charcoal heather with a discharge cream graphic looks like it grew there.
Type weight matters. Really thin knockouts inside heavy flood areas can fill in with discharge, particularly on high-absorbency cotton. If you require razor unfavorable area, different the art to print unfavorable shapes as favorable strokes with a clear schedule for squeegee pressure and flashes. Ask your printer for a proof on the real garment rather than relying on a digital mockup. A mockup can not catch fiber interplay and color lift.
There are times I advise versus discharge. Polyester-rich garments are leading of the list. The activator can trigger dye migration, especially with sublimated or cationic-dyed performance shirts, leading to ghosting or brownish casts. Some garment dyes, particularly reactive black blends, withstand lifting, leaving a shadowed print that looks undercured even when it isn't. If a client is delicate to small smell during treating, discharge custom women’s t shirts days in the shop are noticeable. Well-managed air flow alleviates this, but it becomes part of the process.
If a client needs metallics, puff, or specialized textures, plastisol or hybrid systems still own that area. Water based metallics exist, but the particles typically sink, and the effect is more satin than real metal. For high-opacity neons on dark shirts that should be billboard-bright, you may require a water based underbase tuned for opacity or a switch to plastisol.
Whether you run your own presses or rely on a partner, set up a workflow that eliminates uncertainty. An easy technique keeps surprises at bay and assists you struck due dates for launches and events.
Print on demand has its own restrictions: fast art changes, small batch sizes, and the requirement for a broad color gamut. Direct-to-garment has actually ended up being the default, however water based screen printing can fit POD if you arrange brochure strategy. For designs that are high volume even at small everyday quantities, pre-burning screens and keeping a little stock of popular sizes lets you ship very same day with water based prints that feel better than lots of DTG outputs. It works finest when you keep art to one or two colors and select light garments.
If your POD model depends on all over print sublimation for polyester garments, water based screen printing is not a replacement, it is a parallel offering. Utilize it where cotton comfort and breathability are the selling points. Clients who care about touch will notice.
When customers ask why a water based or discharge print costs more than a standard plastisol task, I describe what they are purchasing. They get the soft hand that retail customers equate with quality, improved breathability, and compliance for sensitive purchasers. On a per-shirt basis, the distinction for a standard three-color front hit may be modest, often a little uplift that can be reduced the effects of by selecting a somewhat more cost-effective blank. If the program is for wholesale t shirts going into boutiques or e-commerce at exceptional price points, the improvement in viewed value more than covers the change.
For personalized t-shirts, such as charity runs or college clubs, choices matter. Offer a base price with plastisol on midweight cotton, then a "comfort upgrade" that consists of a ringspun blank with water based ink. You will see a clear split: some clients optimize for expense, others for feel. Fulfilling both lets you serve a larger market without diluting your craft.
Care labels often read like legal disclaimers. Keep it simple and practical so the t-shirt makes it through reality. Water based and discharge prints prefer cooler washes and lower clothes dryer heat, but they will endure normal laundering if appropriately treated. I recommend phrasing care pointers in human terms on product pages: wash cold with similar colors, topple dry low, prevent fabric softeners if you desire colors to remain crisp. The last note matters since some softeners can transfer films on fibers, dulling the visual contrast of great lines.
I have actually checked these instructions in-house: 2 identical t-shirts, one washed cold and dried low, the other washed warm and dried high. After 15 cycles, the warm/high tee showed a little much faster fading of mid-tones, yet still looked good. That tolerance originates from correct treatment, not from babying the garment.
All over print captures attention, however printing flood coats on assembled garments with water based inks can be unforgiving. Instead of fighting seams, style for them. Use tone-on-tone patterns that fade naturally at joints, or apply a ghosted grid that looks intentional when it breaks at hems. Additionally, run panel printing and stitch. Brand names that offer limited runs can validate cut-and-sew for 100 to 300 pieces if the style warrants it. The finished garments check out as customized from a distance, which is the goal.
One spring we ran a series for a regional music festival. The customer wanted soft black tees with a sunburst print that felt like it lived in the material. We sampled on 3 blacks from two mills. Batch one raised cleanly with discharge, batch 2 stayed stubbornly dark in the mid-rays of the artwork. We logged color lot numbers, rotated the ink mix by including a touch more white pigment to compensate, and changed dwell time by 10 to 15 seconds to complete the reaction. The outcome: constant tees throughout 2,400 units, each with a soft, breathable print that offered out by day two.
That job taught the crew to deal with discharge like cooking, not chemistry on a blackboard. The dish matters, but so does tasting and adjusting.
Most problems I see trace back to process, not the ink household. Under-curing is the very first culprit. Water based ink that feels dry can still be under-cured if the core of the print never ever hit the needed temp for the right period. Use a donut probe or an ingrained thermochromic strip to measure true ink film temperature, not just dryer setpoints. Screen lockup is the 2nd. Keep a consistent speed on press, flood in between prints, and control store humidity.
A third pitfall is disregarding fabric variability. If you change blanks mid-run because a size runs out stock, you may see shifts in color. Construct contingency into your buying. For brands preparing ahead, picking a standard blank and locking it with your supplier reduces surprises.
If your concern is soft, breathable customized clothing that clients keep using, water based inks are worth the uniform embroidery learning curve. Usage standard water based on light garments for tidy detail and matte color. Transfer to release on 100 percent cotton when you desire the softest prints on dark shirts. Accept and plan for slight color variation with discharge, specifically throughout dye lots. For bulk t shirt orders, build in a single round of physical tasting on the actual blanks you will use, then record your settings and hold back a recommendation t-shirt for quality control.
If you run a print as needed brochure, carve out a water based pill of best sellers on light shirts. Market the distinction: eco friendly inks, breathable feel, and retail-quality hand. Keep your specialty results and neon stunners in plastisol or hybrid systems where they belong.
Custom t t-shirts are evaluated in the hands, not just on screens. When a consumer rubs their thumb throughout a print and feels nothing however fiber, you have actually won. That's the minute water based and discharge provide, and why they are worthy of a place in any serious shop or brand name's toolkit.
Business Name: Prints R Us
Address: 2826 Art Museum Dr, Jacksonville, FL 32207, United States
Phone: (904)-752-1515